He also brilliantly uses brightness and darkness, sometimes connected by the slats in a window, to highlight both sides of the film's physicality. He uses canny flashbacks to illustrate the true nature of these liars and bluffers. Pictures in the 1940s (including ) and he cooks up a whopper here, psychologically connecting and twisting the sex and violence. Siegel started his career as a maker of 'montages' for Warner Bros. At the film's midpoint, Siegel turns things into a near-horror film, with the promise of sex suddenly backfiring and morphing into violence (this is war, after all). McBurney begins an erotic chess game, secretly telling each woman exactly what she wants to hear, hoping to gain a foothold of masculine power in the house.īut Miss Martha is also very crafty. Headmistress Martha Farnsworth (Geraldine Page) keeps a wary - but equally fascinated - eye on him. The virginal teacher Edwina (Elizabeth Hartman) falls in love with him, and the sensual teen Carol (Jo Ann Harris) wants to sleep with him. Young Amy (Pamelyn Ferdin) finds him in the woods and drags him back to her home, a strict all-girls school, plunked smack dab in the middle of Confederate territory. During the Civil War, Union corporal John McBurney (Eastwood) is wounded. It's perhaps their most atypical and most psychologically fascinating, showing Eastwood as more of a sexual being than most of his other, iconic films ever did. AndersonDon Siegel directs Clint Eastwood in the third of their five films together.
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